396. Fever Pitch (Nick Hornby)

Synopsis from Amazon UK:
Fever Pitch is both an autobiography and a footballing bible rolled into one. Nick Hornby pinpoints 1968 as his formative year -- the year he turned 11, the year his parents separated, and the year his father first took him to watch Arsenal play. The author quickly moved "way beyond fandom" into an extreme obsession that has dominated his life, loves, and relationships. His father had initially hoped that Saturday afternoon matches would draw the two closer together, but instead Hornby became completely besotted with the game at the expense of any conversation: "Football may have provided us with a new medium through which we could communicate, but that was not to say that we used it, or what we chose to say was necessarily positive." Girlfriends also played second fiddle to one ball and 11 men. He fantasises that even if a girlfriend "went into labour at an impossible moment" he would not be able to help out until after the final whistle. Fever Pitch is not a typical memoir -- there are no chapters, just a series of match reports falling into three time frames (childhood, young adulthood, manhood). While watching the May 2, 1972, Reading v Arsenal match, it became embarrassingly obvious to the then 15-year-old that his white, suburban, middle-class roots made him a wimp with no sense of identity: "Yorkshire men, Lancastrians, Scots, the Irish, blacks, the rich, the poor, even Americans and Australians have something they can sit in pubs and bars and weep about." But a boy from Maidenhead could only dream of coming from a place with "its own tube station and West Indian community and terrible, insoluble social problems." Fever Pitch reveals the very special intricacies of British football, which readers new to the game will find astonishing, and which Hornby presents with remarkable humour and honesty -- the "unique" chants sung at matches, the cold rain-soaked terraces, giant cans of warm beer, the trains known as football specials carrying fans to and from matches in prison-like conditions, bottles smashing on the tracks, thousands of police officers waiting in anticipation for the cargo of hooligans. The sport and one team in particular have crept into every aspect of Hornby's life -- making him see the world through Arsenal-tinted spectacles.

My rating: 4 stars

351. High Fidelity (Nick Hornby)

Jack Black is very funny.

Synopsis from Amazon UK:
Hornby's narrator is an early thirtysomething bloke who runs a London record store. He sells albums recorded the old-fashioned way -- on vinyl -- and is having a tough time making other transitions as well, specifically to adulthood.

My rating: 3 stars

227. About a Boy (Nick Hornby)

One of Hugh Grant's best movies.

Synopsis from Amazon:
Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper-concerned with his coolness quotient, and blithely living off his father's novelty-song royalties. Will sees himself as entirely lacking in hidden depths -- and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children, and he's increasingly left out in the cold. How can someone brilliantly equipped for meaningless relationships ensure that he'll continue to meet beautiful Julie Christie-like women and ensure that they'll throw him over before things get too profound? A brief encounter with a single mother sets Will off on his new career, that of "serial nice guy." As far as he's concerned -- and remember, concern isn't his strong suit -- he's the perfect catch for the young mother on the go. After an interlude of sexual bliss, she'll realize that her child isn't ready for a man in their life and Will can ride off into the Highgate sunset, where more damsels apparently await. The only catch is that the best way to meet these women is at single-parent get-togethers. In one of Nick Hornby's many hilarious (and embarrassing) scenes, Will falls into some serious misrepresentation at SPAT ("Single Parents -- Alone Together"), passing himself off as a bereft single dad: "There was, he thought, an emotional truth here somewhere, and he could see now that his role-playing had a previously unsuspected artistic element to it. He was acting, yes, but in the noblest, most profound sense of the word." What interferes with Will's career arc, of course, is reality -- in the shape of a 12-year-old boy who is in many ways his polar opposite. For Marcus, cool isn't even a possibility, let alone an issue. For starters, he's a victim at his new school. Things at home are pretty awful, too, since his musical therapist mother seems increasingly in need of therapy herself. All Marcus can do is cobble together information with a mixture of incomprehension, innocence, self-blame, and unfettered clear sight.

My rating: 3 stars